|
|
Sue Menhart is a singer-songwriter from Uncasville, Connecticut, born in St. Louis, Missouri. She started playing guitar and singing in church at age 8. She joined her first band, "Majestic" at age 15. She performed in Connecticut, Rhode Island, and Massachusetts clubs before she was old enough to get in.
At age 18, she gave up a full academic scholarship to the University of Hartford to join friends out in Hollywood, California attending the Guitar Institute of Technology.
She quickly decided that the bright lights weren't for her, so she came back home to Mystic, Connecticut. She worked day jobs, went to college at night, and sang and played guitar in numerous cover bands.
In 2007, Sue's dissatisfaction with her job as a computer analyst, coupled with the breakup of yet another cover band, prompted her to finally write her own songs. The album, “Torn”, independently released, has received airplay on 90.9 WCNI New London, 99.1 WPLR, New Haven, and 95.9 WATD-FM in Weymouth, MA. Her singing style is brute-force female emotion, while her songwriting touches on global themes and human issues the world can relate to. The EP "Gypsy Soul" was released in March 2009 and has garnered international press from Skope Magazine and Indie-Music.com, and received local airplay and press. The band appeared on the live music performance television show "Poughkeepsie Live" on Time Warner Cable 6 New York in July, 2009. Indie-Music.com awarded the band a "Top 25 of 2010" distinction in January, 2010 for excellence and achievement in independent music.
Sue has drawn comparisons to Bonnie Raitt, Susan Tedeschi, Janis Joplin, Lucinda Williams and Diana Krall.
|
|
|
Kevin Clark's drumming style is dynamic and powerful while he draws on experiences from marching band drumlines, and country, pop, disco, rock, jazz and blues bands. He used to tape together his mother's Tupperware bowls and use her wooden spoons for sticks playing along with Stairway to Heaven. He played the Tupperware in his basement until he could convince his parents to buy his first drum set, a 1968 Slingerland. Early bands included "No Land" and "Roger Hart and The Country Misfits." He learned chops by listening to Chicago and Emerson, Lake & Palmer, and honed his rudiments as the head of marching band drumlines. His #1 influence is Mighty Max Weinberg. He is affectionately known as "The Octopus."
|
|
| |
|
|
|
Dave Foret started playing bass with a pick-up band named “Kamakaze” back in high school. Originally hoping to play guitar, the band needed a bassist and, as the least experienced, Dave was volunteered. Together with his band-mates, he played at several school and social functions, mainly concentrating on covers by the likes of The Romantics, Billy Idol, and other popular groups of the early 80’s. After a 20+ year hiatus from music while serving in the Navy, Dave picked up the bass again in mid 2006 when Sue and Kevin first started talking about getting a cover band together again. As luck would have it, Dave got the call about a year later to be part of “Sue’s Project”. The rest, as they say, will soon be history. Dave takes a traditional feel-over-flash approach to bass, having once been taught that “you can paint and furnish your musical house with guitars and keyboards, but without the foundation of the bass and the drums, it’s all just a pretty pile of crap that no- one wants to listen to”. Keep it simple and keep it moving … we can’t all be Geddy Lee. ..
|
| |
|
|
|
John Jeff (he responds to 'JJ') is a self-taught guitarist, plays a 30-year old Yamaha SG2000, has no previous experience with playing in a band, and has much passion for playing original compositions, less for covers. Has a passion for composing rock/prog instrumentals, also very much enjoys the gadgetry associated with digital recording. His first introduction to a guitar was at the age of six when playing hide and seek at a neighbor's house - he hid in a cupboard that stored an acoustic guitar taller than him. Whilst he listens to a broad range of music, the emotional guitar playing and attack of Jimi Hendrix and Carlos Santana were the first to catch his attention many years ago. John McLaughlin fascinates, and the underlying structures extraordinary. Lee Ritenour for his amazing session work and who plays on everybody-who-is- importants' albums. Out front for influence is the improvisational inventiveness and technique of Jeff Beck (awesome Ronnie Scott gig!), and the amazing phrasing and scope of Pat Metheny. But there’s also Frampton (see Detroit), Van Halen, Satriani, ....
|
| |
|
|
|
Bill Quinn is a multi-talented musician with a full array of ideas, aspiring to arranging and writing. He has played keyboards and guitar since age 12. He used to play piano in New York pubs with a tip jar, at the age of 12. Try that today! He played the bass in his first band "Hard Rain." He played bass and keys in the band "Zax" and performed with Bill Dumas in "Blond Furniture." He went on to record his own originals and has never left the original music scene. He has performed many live gigs and recording sessions with great artists from coast to coast. He is currently having a great time with The Sue Menhart Band.
|
|
| |
|
|